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[Elizabeth Hodgson] Grief and Women Writers in the English Renaissance (pdf){Zzzzz}[BЯ]

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Description

 							
  
  
  
  Grief and
Women Writers in the English Renaissance anatomizes the era's powerful but troubling links between the forgettable dead
and the living mourners who are implicated in the same oblivion. Four major women writers from 1570 to 1670 construct
these difficult bonds between the spectral dead and the liminal mourner. Mary Sidney Herbert, Countess of Pembroke,
reinvents the controversial substitutions of aristocratic funerals . New Protestant ideologies of the sainted dead
connect devotional mourning and patronage in Aemelia Lanyer's writing. Mary Wroth's verse enacts a uniquely exalted,
imaginative melancholy in which Jacobean subjects dissolve into their mourning artifacts. Among the precarious political
mourners of the later half of the period , Katherine Philips's lyric verse plays the shell game of private grief.
Forgetting, being forgotten, and being dead are risks that the dead and the living ironically share in these central
texts by the English Renaissance's most illustrious women writers.
  
  Editorial Reviews
  Book
Description
  Grief and Women Writers in the English Renaissance anatomizes the era's powerful but troubling
links between the forgettable dead and the living mourners who are implicated in the same oblivion. Elizabeth Hodgson
examines four major women writers from 1570 to 1670 whose writings construct these difficult bonds between the spectral
dead and the liminal mourner.
  About the Author
  Elizabeth Hodgson is Associate Professor at the
University of British Columbia. Her articles have been published in Milton Studies, Studies in English Literature, Early
Modern Literary Studies, Prose Studies, Women's Writing, and Medieval and Renaissance Drama in England. 
  
 
Publisher: Cambridge University Press (November 24, 2014)
  Language: English
 
ISBN-10: 1107079985
  ISBN-13: 978-1107079984
  
   						

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